Faithful reader Erik Beck (of the Boston Becks) has demanded a poll on the question of the best drama of 1932-33 and we here at the Monkey aim to please. I promise the results of the poll will be binding on my choice of best picture in the category of a drama, providing of course that the results jibe with the essay I'm already writing. Otherwise, we'll just call it another frustrating exercise in democracy, what in America is known as an "election."
I'm working on a new project for the blog and have been very distracted lately. As soon as I post the essay on the best drama of 1932-33 and then a brief recap of the year's Katie Award winners, I plan to spend the rest of 2010 writing capsule summaries of each movie year from 1915 to 1927, retroactively awarding Katies to the best movies and performances of the silent era, the "Silent Oscars," if you will.
Which means fans of Harold Lloyd, Theda Bara and Musidora should be very happy.
Then because I like this drama-comedy split I've been using for 1932-33 so much, I'm going to fill in those years I've already covered (1927-1932) with my picks in the categories of drama, comedy-musical and foreign language—e.g., it looks like Luis Buñuel will finally pick up a long overdue award. (Don't worry, it'll make more sense when you see it in action. Or not.)
Finally, I've been out of town a lot lately and have been playing catch-up, blog-wise. If you've recently become a follower of the Mythical Monkey and for some reason I'm not following your blog, drop me a line in the comment section and let me know. I enjoy following the blogs of those following me, whether you write about movies, fashion, music or the rain in Spain that stays mainly in the plain, and I don't want to miss out on the action.
Tarzan Week: Tarzan the Ape Man (1932)
36 minutes ago