I'm back in my office after a week of nursing the family dog—we had the torn ligament in her knee surgically repaired—and I'm working away at my essay on the films of 1917.
In the meantime, why not check out this public domain copy of The Poor Little Rich Girl, arguably the most important film Mary Pickford ever made.
"Why is that, Monkey?"
Glad you asked:
● Her insistence that friend Frances Marion write it over Cecil B. DeMille's objection led to what may have been the first instance of a star firing a director.
● Despite the studio's certainty that it would flop, the film was a huge success and enable Pickford to renegotiate her contract, giving her $10,000 a week, 50% of her film's profits and complete creative control.
● And finally, Pickford also invented "indirect lighting" for this film—while putting on her makeup, she noticed that light shining from a hand-held mirror created a flattering effect, an effect she insisted director Maurice Tourneur recreate on the set. The technique soon became the industry standard and moviemakers have been lighting films in this manner ever since.
Well, at least that's what they tell me. In any event, without further ado, The Poor Little Rich Girl.
Welles at 101, KANE at 75 or thereabouts
58 minutes ago