10. Grindhouse (2007) — The only Tarantino movie that gives me no pleasure, Grindhouse is a loving homage to drive-ins and double features directed in two halves by Robert Rodriguez (Planet Terror) and Tarantino (Death Proof). Tarantino's half is about a stuntman (Kurt Russell) who slums as a serial killer while driving a "death proof" car. The film is a faithful rendering of what you might have seen in a 1970s "grindhouse" movie — according to Wikipedia, "low-budget horror, splatter and exploitation films for adults" — but the nostalgia is lost on me. Double features weren't really a thing in my part of the country and the closest drive-in was in a swamp next to Mansker Creek — it was literally underwater most of the time.
9. The Hateful Eight (2015) — See my original full-length review here. Eight seemingly unrelated strangers wind up stuck in a cabin during a blizzard in the days after the American Civil War. True to all Tarantino movies, baroque chat and cartoonish levels of violence ensue. I mean that as a compliment. Ennio Morricone won an Oscar for his score, Jennifer Jason Leigh earned an Oscar nomination (and an alternate Oscar win). Also stars Kurt Russell, Samuel L. Jackson, Walton Goggins, Tim Roth, Michael Madsen, Bruce Dern and Demián Bichir. Katherine and I saw the 70 mm road show edition at the AFI-Silver. Great fun.
8 and 7. Kill Bill: Volumes 1 and 2 (2003 and 2004) — A martial arts movie released in two parts, Kill Bill stars Uma Thurman as "the Bride" who seeks revenge against a team of assassins who tried to kill her on her wedding day. She hops and chops, slices and dices her way across the globe, dispatching hundreds of trained killers along the way, until she confronts the leader of the assassins, "Bill" (David Carradine). If you're a fan of the martial arts exploitation films of the 1970s, this two-parter is for you.
6. Jackie Brown (1997) — Some people have this first, which is a reminder of how consistently great Tarantino really is. An adaptation of Elmore Leonard's Rum Punch, this is a story of a stewardess (Pam Grier) who gets caught smuggling laundered cash for a lowlife drug dealer (Samuel L. Jackson) and risks everything to get out from under. Along with Get Shorty and Out of Sight, this was one of the few adaptations of the great Elmore Leonard that understood what the man was up to. The most restrained of Tarantino's movies (and maybe a tad reverential for my tastes), Jackie Brown revived the careers of Grier (Golden Globe nomination, alternate Oscar winner) and Robert Forster (Oscar nomination).
5. Django Unchained (2012) — A pre-Civil War spaghetti Western starring Jamie Foxx as a runaway slave named Django and Christoph Waltz as the bounty hunter who helps him rescue Django's wife from a cruel plantation owner (Leonardo DiCaprio). Stuff gets blowed up real good! Waltz won his second Oscar for his performance, Tarantino his second Oscar for writing, but more importantly, Foxx took home the alternate Oscar.
4. Reservoir Dogs (1992) — Tarantino's first directorial effort, this one put the video rental store clerk turned auteur on the map. The story of a heist gone terribly wrong, Tarantino took fifty years of noir tropes, drenched them in blood, added dialogue worthy of William Shakespeare and changed crime movies forever. Stars Tim Roth as a gut-shot undercover cop, Harvey Keitel as the gang member he duped, and Michael Madsen as the psychopathic killer who doesn't trust either one of them. The infamous Lawrence Tierney (read about Eddie Muller's hilarious encounter with the noir legend here) is great in support as the gang's leader.
3. Once Upon a Time ... in Hollywood (2019) — If you've never seen a Tarantino movie and you're feeling a bit reluctant to dive in, this is the one I would start with. An insider's look at Hollywood at the end of the 1960s, Once Upon a Time is the story of a washed-up television actor (Leonardo DiCaprio), his stunt double (Brad Pitt in an Oscar-winning role) and the real life Sharon Tate (Margot Robbie). Stars hang out, deals are made, work is done. And then Pitt gives a hitchhiker a lift and drops her off at her home with (uh oh!) the Manson Family. But if you think you know where this is going, well, clearly you've never seen a Quentin Tarantino movie. Features Al Pacino, Kurt Russell, Bruce Dern, Timothy Olyphant, Damian Lewis (as Steve McQueen) and Mike Moh (as Bruce Lee).
2. Inglourious Basterds (2009) — This is every great World War II commando movie ever made, only better. The story follows three broad narratives — "the Jew Hunter" Nazi Colonel Hans Landa (Christoph Waltz in an Oscar-winning turn), and his favorite prey, Shosanna (Mélanie Laurent); a British officer (Michael Fassbender) and his double-agent contact (Diane Kruger); and finally the Basterds of the title, a group of commandos (led by Brad Pitt) wreaking havoc behind the German lines. These three narrative threads converge on a small cinema in Paris where the Reich's leaders, including Hitler himself, are attending a movie premiere. It's my pick for the best picture of 2009. As someone says at the end, "I think this just might be my masterpiece!"
1. Pulp Fiction (1994) — If Tarantino had stopped making movies after this one, he'd still be one of the greatest directors of all time. This black comedy crime classic weaves together multiple unrelated storylines featuring a heroin-addicted hitman (John Travolta), his Bible-quoting partner (Samuel L. Jackson), a bloodthirsty crime boss (Ving Rhames), his dance-crazy wife (Uma Thurman), a washed-up boxer (Bruce Willis), and the glowing MacGuffin in a shiny black briefcase. Told in a thematic rather than linear fashion, it should be utterly confusing but somehow isn't, and it's still one of the most wildly entertaining movies ever made. Also features Tim Roth, Amanda Plummer, Harvey Keitel, Eric Stoltz and Christopher Walken. Tarantino and Roger Avery won a well-deserved Oscar for the screenplay. I have it down as the best picture of 1994 which is saying something — 1994 was one of the best years for movies in history.
My choices are noted with a ★. A tie is indicated with a ✪. Historical Oscar winners are noted with a ✔. Best foreign-language picture winners are noted with an ƒ. A historical winner who won in a different category is noted with a ✱.
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