2014 Alternate Oscars

On its surface, The Grand Budapest Hotel is a shaggy dog story about how a hotel lobby boy (Tony Revolori) became the richest man in Europe. But ultimately, it's a contemplation of grace under pressure, kindness in the face of cruelty, beauty in an ugly world.

Set in the years between the two world wars, Ralph Fiennes plays the lobby boy's mentor, Monsieur Gustave H, the concierge of the Grand Budapest, eastern Europe's finest hotel. Gustave meets his guests' every need, especially the needs of rich, lonely women — not, mind you, from any motivation as mundane as reflexive servitude or the Puritan work ethic but because he is a civilized man who finds pleasure and meaning in creating a bubble of civilization for those fleeing an uncivilized world.

"You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that's what we provide in our own modest, humble, insignificant ... oh, fuck it."

Like the inchworm measuring the marigolds, Gustave labors unceasingly despite knowing that in the long run it won't make the slightest bit of difference. But what's the alternative? Surrender to chaos and cruelty and death? Hell, no.

If sooner or later we're all going to die anyway, can't we at least do it with a bit of grace and good humor? And in Gustave's case, poetry and perfume and pastry, as well?

There's something generous and moving and maybe even heroic in Gustave's devotion to the better angels of our nature.

"Rudeness is merely an expression of fear. People fear they won't get what they want. The most dreadful and unattractive person only needs to be loved, and they will open up like a flower."

Well, some of them anyway.

As it turns out, Ralph Fiennes is the perfect actor to lead a Wes Anderson film. He can deliver helium-filled balloons of dialogue without puncturing the illusion that he actually believes what he's saying. And in a film like this, that's absolutely vital. One prick of cynicism, and the balloon bursts.

This is Fiennes best work since Schindler's List.

Cameos by everyone — Bill Murray, Ed Norton, Harvey Keitel, Jude Law, Tom Wilkinson, F. Murray Abraham, Jason Schwartzman, Tilda Swinton, Owen Wilson, Bob Balaban, Léa Seydoux, and many others.

Excellent supporting work from Adrien Brody, Willem Defoe, Jeff Goldblum and Saoirse Ronan.

Tony Revolori as the lobby boy, Zero Moustafa, was terrific. Ralph Fiennes deserved an Oscar nomination at the very least.

The Grand Budapest Hotel was 2014's best movie, Wes Anderson its best director.

My choices are noted with a ★. A tie is indicated with a ✪. Historical Oscar winners are noted with a ✔. Best foreign-language picture winners are noted with an ƒ. A historical winner who won in a different category is noted with a ✱.