This is the first Oscar year where I (mostly) relied on you, my faithful readers, to vet the potential nominees.
The top three movies among critics in 2016 were Moonlight, La La Land, and Manchester by the Sea, in roughly that order.
Moonlight and Manchester are thoughtful, well-made art films that never quite drew me in.
As for La La Land, a celebrated musical that won the Oscar for best picture until it didn't (oopsy!), well, I'll bet I could name 100 musicals I liked better. 130, in fact, if my own IMDB ratings can be trusted.
Your mileage my vary.
Any nominees I did like? But of course.
Arrival is a slow-burn sci-fi thriller featuring the incomparable Amy Adams. Deadpool, starring a personal favorite, Ryan Reynolds, is a hilariously foulmouthed send-up of the superhero genre. Hell or High Water is a modern-day cowboy noir written by Taylor Sheridan of TV's Yellowstone fame. Hidden Figures is a terrific biopic about the African-American women who were the backbone of NASA's computer science team during the early years of the space race. Love & Friendship is a very funny comedy of manners based on a novella by Jane Austen. And Rogue One is the best Star Wars movie since the first one back in 1977.
Have at it.
My choices are noted with a ★. A tie is indicated with a ✪. Historical Oscar winners are noted with a ✔. Best foreign-language picture winners are noted with an ƒ. Best animated feature winners are noted with an @. A historical winner who won in a different category is noted with a ✱.
Named for Katie-Bar-The-Door, the Katies are "alternate Oscars"—who should have been nominated, who should have won—but really they're just an excuse to write a history of the movies from the Silent Era to the present day.
To see a list of nominees and winners by decade, as well as links to my essays about them, click the highlighted links:
Remember: There are no wrong answers, only movies you haven't seen yet.
The Silent Oscars
And don't forget to check out the Silent Oscars—my year-by-year choices for best picture, director and all four acting categories for the pre-Oscar years, 1902-1927.
Look at me—Joe College, with a touch of arthritis. Are my eyes really brown? Uh, no, they're green. Would we have the nerve to dive into the icy water and save a person from drowning? That's a key question. I, of course, can't swim, so I never have to face it. Say, haven't you anything better to do than to keep popping in here early every morning and asking a lot of fool questions?
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