August is Charlie Chaplin month at the AFI Silver Theatre. So is September for that matter. For those of you lucky enough to live near Silver Spring, Maryland, you have a chance to see new 35 mm prints of Chaplin's best work on the big screen—and by that, I mean the big screen (those of you who have been to the AFI Silver know what I mean).
Yesterday, Katie-Bar-The-Door and I saw The Circus (with the 1921 short The Idle Class as an appetizer). The former features some of Chaplin's best bits, including a police chase through a maze of mirrors, and a highwire act with the Tramp and three naughty monkeys (no relation). In the latter, the Tramp plays golf and wanders into a ritzy costume party.
This coming weekend, we get the classic City Lights, which would be my choice as Chaplin's best movie, if I were unfortunate enough to live in a world where such choices were necessary.
Named for Katie-Bar-The-Door, the Katies are "alternate Oscars"—who should have been nominated, who should have won—but really they're just an excuse to write a history of the movies from the Silent Era to the present day.
To see a list of nominees and winners by decade, as well as links to my essays about them, click the highlighted links:
Remember: There are no wrong answers, only movies you haven't seen yet.
The Silent Oscars
And don't forget to check out the Silent Oscars—my year-by-year choices for best picture, director and all four acting categories for the pre-Oscar years, 1902-1927.
Look at me—Joe College, with a touch of arthritis. Are my eyes really brown? Uh, no, they're green. Would we have the nerve to dive into the icy water and save a person from drowning? That's a key question. I, of course, can't swim, so I never have to face it. Say, haven't you anything better to do than to keep popping in here early every morning and asking a lot of fool questions?
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