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Yesterday, I posted a list of my favorite silent era character actors. Today, it's actresses.
10. Miriam Cooper—"The Friendless One" in D.W. Griffith's Intolerance, she was a Method actress before the Method, once staring so intently into a Klieg light during a close-up, her eyesight was permanently damaged.
9. Clarine Seymour—Griffith cast her as the "bad" girl against Lillian Gish's "good" one in True-Heart Susie, but she proved so much more interesting than the heroine, she subverted the whole story. She died a year later on the cusp of stardom.
8. Gladys Brockwell—memorable as a hooker with a heart of stone in 7th Heaven and a homeless women with a pivotal secret in Lon Chaney's The Hunchback of Notre Dame.
7. Zasu Pitts—her quavering, sing-song voice turned her into comic relief during the sound era, but she was the avaricious shrew in von Stroheim's Greed, the love interest in The Wedding March, and Mary Pickford's only friend in The Little Princess.
6. Olga Baclanova—remembered now as the evil seductress in Freaks, she was at her best in Paul Leni's The Man Who Laughs and Josef von Sternberg's The Docks of New York.
5. Anita Page—a personal favorite, she was Joan Crawford's arch-nemesis, on-stage and off, in Our Dancing Daughters and Our Modern Maidens.
4. Edna Purviance—Chaplin's go-to girl in nearly forty shorts and features.
3. Louise Brooks—in Germany, she was a star, but in Hollywood, she was strictly supporting. And if you've seen A Girl in Every Port, The Show Off and It's the Old Army Game, you know she was one of the best.
2. Musidora—her iconic portrayal of spy master Irma Vep in Louis Feuillade's classic serial Les Vampires made crime so appealing, French police temporarily halted production.
1. "The Girl" (Bebe Daniels / Mildred Davis / Jobyna Ralston)—There was always a girl in Harold Lloyd's comedies, almost always named simply "The Girl," but she was, in fact, played by three very different actresses: the spunky Bebe Daniels (1915-1919), the demure Mildred Davis (1919-1923) and the soulful Jobyna Ralston (1923-1927). Daniels went on to bigger and better things with Cecil B. DeMille, Davis married Lloyd in real life and retired, and Ralston, well, she played second fiddle to Clara Bow and a squadron of airplanes in the first Oscar-winning picture Wings. But as "the Girl," they were all just wonderful. (Click here to read Annette D’Agostino Lloyd's essay on "the Girl." And no, she's no relation to Harold.)
Tomorrow: Silent Supporting Players Who Were Better In The Sound Era
I've written at length about director/producer Cecil B. DeMille (here, for example), one of the best and most influential of the silent era directors.
If you know him only from his bloated Bible epics of the 1950s, you're probably wondering what all the fuss is about. But the fact is, beginning in 1918 with Old Wives For New, DeMille reeled off a series of "nervously brilliant, intimate melodramas" and "sly marital comedies" (Scott Eyman, Empire of Dreams) centering on the notion that grown ups engage in sexual relations and are glad that they do.
Ah, sophisticated sex comedies—God bless 'em. Here are three by DeMille to bring you up to speed:
Old Wives for New (1918)—In the first of his sex comedies, DeMille dispense with karma and moral judgment, and puts the fun back into sex, sin and every kind of bad behavior. People drink, lie, carouse and generally defy social mores, and not only suffer no consequences, they prosper. Murder goes unpunished, adultery is rewarded and divorce is presented as a sane and sophisticated solution to an unhappy marriage. Starring Elliott Dexter, Florence Vidor and Theodore Roberts.
Male and Female (1919)—DeMille added a young Gloria Swanson to the mix and both of their careers really took off. Basically, the cast of Downton Abbey gets shipwrecked on a desert island, with Swanson as a upper crust nitwit and Thomas Meighan as her butler. Of course, only the servants possess any useful survival skills. Upstairs is down, downstairs is up, in this sophisticated satire of the British class system. Also featuring Theodore Roberts and Bebe Daniels.
The Affairs of Anatol (1921)—Maybe the most famous of DeMille's comedies. Here, a bored husband (All-American heartthrob Wallace Reid) looks to spice up his love life with a series of what turn out to be disastrous affairs. By the time he returns to his senses, his wife (Swanson again) has embarked on an affair of her own. With Bebe Daniels (as Satan Synne!), Elliott Dexter and Theodore Roberts.
Have fun!
My purely idiosyncratic list designed to promote the Funny Lady Blogathon now up and running at Movies, Silently. "A baker's dozen" implies pies will be thrown and some of these funny ladies, particularly Mabel Normand, threw a mean one. Things might get messy so dress appropriately—you've been forewarned.
13. Daphne Pollard—standing 4' 9", this diminutive comedienne was a star in Mack Sennett's stable in the mid-1920s.
12. Bebe Daniels—co-starred in the early Harold Lloyd shorts then jumped to Cecil B. DeMille's sex comedies.
11. Jobyna Ralston—the "girl" in most of Harold Lloyd's latter-day features, including Girl Shy, The Freshman and The Kid Brother
10. Constance Talmadge—remembered now for her turn as the "Mountain Girl" in D.W. Griffith's Intolerance, in her day she was beloved for her comedy.
9. Edna Purviance—made more movies with Charlie Chaplin than any other actress.
8. Ossi Oswalda—maybe the least known to American audiences, she was Ernst Lubitsch's go-to girl before he moved to Hollywood.
7. Colleen Moore—this fresh-faced girl-next-door had a knack for finding trouble.
6. Gloria Swanson—long before Norma Desmond, she was playing second fiddle to superstar Teddy the dog for Mack Sennett then graduated to DeMille's groundbreaking sex comedies.
5. Marion Davies—Orson Welles owes somebody an apology: this woman was talented and funny.
4. Clara Bow—the original "It" girl: beautiful, tender, funny and ultimately doomed.
3. Marie Dressler—the star of the first feature-length comedy, 1914's Tillie's Punctured Romance, she made a comeback in 1928 and eventually won an Oscar. (Dressler's the one on the right.)
2. Mary Pickford—number one at the box office, number one in our hearts, number two on this list.
1. Mabel Normand—sometimes credited with throwing the first pie in movie history, she was the beauty who starred with such beasts as Charlie Chaplin and Roscoe "Fatty" Arbuckle.
That's it. Have at it.
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