Showing posts with label James Mason. Show all posts
Showing posts with label James Mason. Show all posts

Wednesday, February 1, 2012

The Katie-Bar-The-Door Awards (1954)

It's an interesting thing about Hitchcock—where other directors saw light, he saw darkness. And I don't mean in terms of the stories he told, I mean in terms of the actors he chose.

When Americans looked at, say, Ingrid Bergman, they saw virginal purity, but Hitchcock saw a deeply conflicted woman, the one who would eventually run off with Roberto Rossellini. That he liked to tear the wings off Cary Grant and reveal the tortured Cockney kid underneath is a matter of record.
Anthony Perkins was the all-American boy prior to Psycho. Why, even in Grace Kelly, an actress so beautiful a better looking one would make you go blind, he saw mostly spoiled petulance.

And while Jimmy Stewart had already revealed a dark side in Capra's It's A Wonderful Life and in all those Anthony Mann westerns, Hitchcock ramped it up in Rear Window to include obsession, misanthropy, voyeurism and impotence, ground they would explore again in Vertigo.

As an artist, I'd say Hitchcock was even a great judge of his own character—after all, Vertigo is largely a self-portrait of his own voyeuristic, controlling, misogynistic impulses—but as a man, he was unable to rein himself in and he eventually drove himself into the bridge abutment that was Tippi Hedren.

But then, I think an artist often see truths that the man himself doesn't.

PICTURE (Drama)
winner: Rear Window (prod. Alfred Hitchcock)
nominees: The Caine Mutiny (prod. Stanley Kramer); Creature From The Black Lagoon (prod. William Allard); Dial 'M' For Murder (prod. Alfred Hitchcock); The Far Country (prod. Aaron Rosenberg); Johnny Guitar (prod. Republic Pictures); On The Waterfront (prod. Sam Spiegel); 20,000 Leagues Under The Sea (prod. Walt Disney)


PICTURE (Comedy/Musical)
winner: A Star Is Born (prod. Sidney Luft)
nominees: Hobson's Choice (prod. David Lean); Sabrina (prod. Billy Wilder); Seven Brides For Seven Brothers (prod. Jack Cummings)


PICTURE (Foreign Language)
winner: Shichinin no samurai (Seven Samurai) (prod. Sôjirô Motoki)
nominees: Gojira (Godzilla) (prod. Tomoyuki Tanaka); Miyamoto Musashi (Samurai I: Miyamoto Musashi) (prod. Kazuo Takimura); Sanshô dayû (Sansho The Bailff) (prod. Masaichi Nagata); Senso (prod. Lux Film); La Strada (prod. Dino De Laurentiis and Carlo Ponti); Touchez pas au grisbi (prod. Robert Dorfmann)


ACTOR (Drama)
winner: Marlon Brando (On The Waterfront)
nominees: Humphrey Bogart (The Caine Mutiny and The Barefoot Contessa); Bing Crosby (The Country Girl); Kirk Douglas (20,000 Leagues Under The Sea); Ray Milland (Dial 'M' For Murder); Takashi Shimura (Shichinin no samurai a.k.a. Seven Samurai); James Stewart (The Far Country and Rear Window)


ACTOR (Comedy/Musical)
winner: James Mason (A Star Is Born)
nominees: Howard Keel (Seven Brides For Seven Brothers); Gene Kelly (Brigadoon); Charles Laughton (Hobson's Choice); John Mills (Hobson's Choice)


ACTRESS (Drama)
winner: Grace Kelly (Dial 'M' For Murder, Rear Window and The Country Girl)
nominees: Shirley Booth (About Mrs. Leslie); Joan Crawford (Johnny Guitar); Ava Gardner (The Barefoot Contessa); Giulietta Masina (La Strada); Eleanor Parker (The Naked Jungle); Jane Wyman (Magnificent Obsession)


ACTRESS (Comedy/Musical)
winner: Judy Garland (A Star Is Born)
nominees: Brenda de Banzie (Hobson's Choice); Dorothy Dandridge (Carmen Jones); Doris Day (Young At Heart); Audrey Hepburn (Sabrina); Judy Holliday (It Should Happen to You); Jennifer Jones (Beat the Devil); Debbie Reynolds (Susan Slept Here)


DIRECTOR (Drama)
winner: Akira Kurosawa (Shichinin no samurai a.k.a. Seven Samurai)
nominees: Edward Dmytryk (The Caine Mutiny); Federico Fellini (La Strada); Alfred Hitchcock (Dial 'M' For Murder and Rear Window); Elia Kazan (On the Waterfront); Kenji Mizoguchi (Sanshô dayû a.k.a. Sansho the Bailiff); Nicholas Ray (Johnny Guitar)


DIRECTOR (Comedy/Musical)
winner: George Cukor (A Star Is Born)
nominees: Stanley Donen (Seven Brides For Seven Brothers); David Lean (Hobson's Choice); Billy Wilder (Sabrina)


SUPPORTING ACTOR
winner: Toshirô Mifune (Shichinin no samurai a.k.a. Seven Samurai)
nominees: Jack Carson (A Star Is Born); Lee J. Cobb (On the Waterfront); José Ferrer (The Caine Mutiny); Walter Hampden (Sabrina); Fred MacMurray (The Caine Mutiny); Karl Malden (On The Waterfront); Fredric March (Executive Suite); Edmond O'Brien (The Barefoot Contessa); Rod Steiger (On The Waterfront); John Williams (Dial M for Murder and Sabrina)


SUPPORTING ACTRESS
winner: Eva Marie Saint (On the Waterfront)
nominees: Nina Foch (Executive Suite); Kyoko Kagawa (Sanshô dayû a.k.a. Sansho the Bailiff); Mercedes McCambridge (Johnny Guitar); Thelma Ritter (Rear Window); Kinuyo Tanaka (Sanshô dayû a.k.a. Sansho the Bailiff)


SCREENPLAY
winner: John Michael Hayes, from the short story by Cornell Woolrich (Rear Window)
nominees: Budd Schulberg (screenplay and story), suggested by articles by Malcolm Johnson (On The Waterfront); Billy Wilder, Samuel A. Taylor and Ernest Lehman, from the play "Sabrina Fair" by Samuel A. Taylor (Sabrina); Akira Kurosawa, Shinobu Hashimoto and Hideo Oguni (Shichinin no samurai a.k.a. Seven Samurai)


SPECIAL AWARDS
"The Man That Got Away" (A Star Is Born) music by Harold Arlen; lyrics by Ira Gershwin (Song); John Meehan; Emile Kuri (20,000 Leagues Under The Sea) (Art Direction-Set Decoration); Loren L. Ryder (Rear Window) (Sound)

Tuesday, March 1, 2011

Today's Oscar Trivia #29

Two By Four Many times in Academy Award history, the same character has led to more than one Best Actor nomination. Who was nominated for playing the self-destructive actor in the 1937 version of A Star Is Born before James Mason turned the same trick in the 1954 version?

Oscar Mosts Which movie, a 1972 musical set in Berlin, won the most Oscars (eight) without winning Best Picture?

Friday, August 6, 2010

Garbo's 1949 Screen Test

I mentioned that Greta Garbo contemplated a comeback after World War II, a comeback that obviously never happened. She settled on the Balzac novel La Duchess de Langelais, with Walter Wanger producing and James Mason tentatively set to co-star, and the project got as far as three screen tests, one photographed by Joseph Valentine on May 5, 1949, and by James Wong Howe and William Daniels, both on May 25, 1949.

The only problem was, nobody in Hollywood wanted to finance the film. Wanger negotiated a shaky partnership with Italian financier Angelo Rizzoli, but Rizzoli and Garbo did not hit it off and after long delays pushed the project into 1950, Rizzoli finally pulled out. No other investors were forthcoming and Garbo rejected the suggestion that she invest her own money in the film. Garbo's comeback was effectively over.

Long thought lost, a snippet of the test footage turned up in 1989. Here it is for your viewing pleasure: