Beggars of Life (1928)

Beggars of Life is the story of a teenage girl (Louise Brooks) who kills her stepfather in order to avoid being raped. Disguising herself as a young boy, she escapes with a passing vagrant (Richard Arlen, co-star of the first movie to win the Oscar for best picture, Wings) only to fall into the hands of Oklahoma Red (Wallace Beery), the ruthless leader of a "hobo jungle" who wants the girl for himself.

The story by novelist Jim Tully was based on his own experiences riding the rails during a period of unemployment and homelessness. Well before the Depression would acquaint much of this film's audience with the life they were seeing on screen, Tully hoped to demythologize poverty, showing, for example, the brutality of "hobo jungles" and the ruthless treatment of the poor at the hands of arbitrary authorities.

Although the film stars the now-legendary Brooks, the screen really belongs to Wallace Beery. He makes his first appearance during the movie's second act, arriving at the camp singing and carrying a keg of beer on his shoulder (some prints have Beery's growling singing voice on the soundtrack of this otherwise silent movie, others do not).

Beery discovers Brooks, who has disguised herself as a boy, is a fugitive with a $1000 bounty on her head. Beery helps her escape from the others and from the police, but whether it's an act of altruism or pure self-interest becomes the central question of the film.

Even with the lovely Louise Brooks on screen, Beery is the one your eyes are drawn to.

This phenomenon — the supporting performance that makes you forget the rest of the movie — was typical of Beery's career. Admittedly, sometimes he could be a distraction, but here he breathes life into a story that had threatened to grind to a halt.

Co-star Louise Brooks was blunt in her criticism of the movie: "[William Wellman] directed the opening sequence with a sure, dramatic swiftness that the rest of the film lacked."

But of Beery, Brooks said, "His Oklahoma Red is a little masterpiece."

She's right. Beery plays Oklahoma Red as complex man rather than as a stock villain and watching his internal contradictions play out is the main reason to track down this film. It's probably his most overlooked performance in a career that included starring roles in Grand Hotel, Dinner At Eight, Treasure Island and Min And Bill, and Oscar nominations for The Big House and The Champ, the latter a winner for Beery in 1931.

But Brooks was also right about the film overall. The action is repetitive, the acting outside that of Beery and Brooks is amateurish and for a movie inspired by a desire to show what riding the rails was really like, its insights sometimes feel shallow and cliched.

Still, Brooks is very good in the movie and her performance brought her to the attention of German director P.W. Pabst.

The rest, as they say, is history ...

What Do You Do For Content ...

... when you've got no content? Why, post a picture of Louise Brooks, of course. Here she is with actor Richard Arlen and writer Jim Tully on location in the Jacumba Mountains for the filming of William Wellman's Beggars Of Life. Wish I could remember where it came from ...

I'm taking the rest of the week off but you can always vote in the latest poll (about Greta Garbo) or you can catch up with my 12,000 word, eight-part essay about the Marx Brothers. Okay, I exaggerate—it's 11,885 words. But there are plenty of pictures.

And please add the word "slangsta" to your vocabulary—courtesy of Mister Muleboy who is tapping his foot impatiently.