The Katie-Bar-The-Door Awards (1953)

I've seen The War of the Worlds many times since I was a kid, and I think what I like most about it, aside from the sound effects, is that everybody seems knocked out that Gene Barry is a "scientist." Like "scientist" was a handy jack-of-all-trades profession that made him an expert in astronomy, biology, geology, fishing and forest fires.

That, and the only woman on the entire west coast is a scientist freak—did her thesis on scientists! Not science, mind you, scientists. Is that even a subject?

Anyway, every time I see The War of the Worlds, I think, "Why didn't I become a scientist?"

PICTURE (Drama)
winner: From Here To Eternity (prod. Buddy Adler)
nominees: The Big Heat (prod. Robert Arthur); The Naked Spur (prod. William H. Wright); Pickup on South Street (prod. Jules Schermer); Shane (prod. George Stevens); Stalag 17 (prod. Billy Wilder); The War of the Worlds (prod. George Pal)

PICTURE (Comedy/Musical)
winner: Roman Holiday (prod. William Wyler)
nominees: The Band Wagon (prod. Arthur Freed); Genevieve (prod. Henry Cornelius); Gentlemen Prefer Blondes (prod. Sol C. Siegel)

PICTURE (Foreign Language)
winner: Tôkyô monogatari (Tokyo Story) (prod. Takeshi Yamamoto)
nominees: El (prod. Óscar Dancigers); I Vitelloni (prod. Jacques Bar, Mario De Vecchi and Lorenzo Pegoraro); Madame de... (The Earrings Of Madame de...) (prod. Ralph Baum); Le salaire de la peur (The Wages of Fear) (prod. Raymond Borderie and Henri-Georges Clouzot); Ugetso Monogatari (prod. Masaichi Nagata); Les vacances de Monsieur Hulot (Mr. Hulot's Holiday) (prod. Fred Orain and Jacques Tati)

ACTOR (Drama)
winner: Montgomery Clift (From Here To Eternity)
nominees: Charles Boyer (Madame de... a.k.a. The Earrings of Madame de...); William Holden (Stalag 17); Alan Ladd (Shane); Burt Lancaster (From Here To Eternity); Yves Montand (Le salaire de la peur a.k.a. The Wages of Fear); Vincent Price (House of Wax); Chisu Ryu (Tôkyô monogatari a.k.a. Tokyo Story); James Stewart (The Naked Spur); Richard Widmark (Pickup on South Street)

ACTOR (Comedy/Musical)
winner: Jacques Tati (Les vacances de Monsieur Hulot a.k.a. Mr. Hulot's Holiday)
nominees: Fred Astaire (The Band Wagon); Howard Keel (Kiss Me Kate); Gregory Peck (Roman Holiday)

ACTRESS (Drama)
winner: Gloria Grahame (The Big Heat)
nominees: Danielle Darrieux (Madame de... a.k.a. The Earrings of Madame de...); Chieko Higashiyama (Tôkyô monogatari a.k.a. Tokyo Story); Deborah Kerr (From Here To Eternity); Evelyn Keyes (99 River Street); Jean Peters (Pickup on South Street)

ACTRESS (Comedy/Musical)
winner: Jane Russell (Gentlemen Prefer Blondes)
nominees: Leslie Caron (Lili); Kathryn Grayson (Kiss Me Kate); Audrey Hepburn (Roman Holiday); Marilyn Monroe (Gentlemen Prefer Blondes)

DIRECTOR (Drama)
winner: Yasujirô Ozu (Tôkyô monogatari a.k.a. Tokyo Story)
nominees: Luis Buñuel (El); Henri-Georges Clouzot (Le salaire de la peur a.k.a.The Wages of Fear); Federico Fellini (I Vitelloni); Samuel Fuller (Pickup on South Street); Anthony Mann (The Naked Spur); Kenji Mizoguchi (Ugetso Monogatari); Max Ophüls (Madame de... a.k.a. The Earrings of Madame de...); George Stevens (Shane); Billy Wilder (Stalag 17); Fred Zinnemann (From Here To Eternity)

DIRECTOR (Comedy/Musical)
winner: William Wyler (Roman Holiday)
nominees: Henry Cornelius (Genevieve); Howard Hawks (Gentlemen Prefer Blondes); Vincente Minnelli (The Band Wagon); Jacques Tati (Les vacances de Monsieur Hulot a.k.a. Mr. Hulot's Holiday)

SUPPORTING ACTOR
winner: Frank Sinatra (From Here To Eternity)
nominees: Eddie Albert (Roman Holiday); Charles Coburn (Gentlemen Prefer Blondes); Van Heflin (Shane); Lee Marvin (The Big Heat); Robert Ryan (The Naked Spur); Jack Palance (Shane); Robert Strauss (Stalag 17); Brandon de Wilde (Shane)

SUPPORTING ACTRESS
winner: Thelma Ritter (Pickup On South Street)
nominees: Jean Arthur (Shane); Nanette Fabray (The Band Wagon); Setsuko Hara (Tôkyô monogatari a.k.a. Tokyo Story); Kay Kendall (Genevieve); Geraldine Page (Hondo); Donna Reed (From Here To Eternity)

SCREENPLAY
winner: Daniel Taradash, from the novel by James Jones (From Here To Eternity)
nominees: Marcel Achard, Max Ophüls and Annette Wademant, from the novel by Louise de Vilmorin (Madame de... a.k.a. The Earrings of Madame de...); Dalton Trumbo, Ian McLellan Hunter and John Dighton, from a story by Dalton Trumbo (Roman Holiday); A.B. Guthrie, Jr, additional dialogue by Jack Sher, from the novel by Jack Shaefer (Shane); Billy Wilder and Edwin Blum, from the play by Donald Bevan and Edmund Trzcinski (Stalag 17); Kôgo Noda and Yasujirô Ozu (Tôkyô monogatari a.k.a. Tokyo Story)

SPECIAL AWARDS
Gordon Jennings (The War of the Worlds) (Special Effects); Loren L. Ryder (The War of the Worlds) (Sound); Duck Amuck (Animated Short)

Jane Russell, 1921-2011

We here at the Monkey pause to note the passing of one our favorite actresses, Jane Russell. As my big brother noted an e-mail, "in 'the day,' she was hot, hot, hot."

She was indeed.

I am of an age that my first introduction to Jane Russell was during her stint as a foundation undergarment spokesperson "for us full-figured gals," as she put it. I was a little too young to understand what part of her figure she was referring to. Later I figured it out. Hubba hubba.

Probably her most famous role was her first, The Outlaw, in which she co-starred with a cantilevered bra designed by Howard Hughes and his team of aeronautical engineers. Truth be told, it's not a very good movie and she didn't wear the bra anyway. Filming was completed in 1941, but Hollywood's censors delayed its release until 1943, with a nationwide release not coming until 1946.

"They held up The Outlaw for five years," she said later. "And Howard Hughes had me doing publicity for it every day, five days a week for five years."

Russell didn't appear in another film until 1946.

If you want to see her in something good, I'd recommend the two movies she made with Robert Mitchum, His Kind Of Woman (1951) and Macao (1952), and what I think is the best performance of her career, as a nightclub singer trying to keep her gold-digging pal Marilyn Monroe out of trouble in Howard Hawks' musical comedy Gentlemen Prefer Blondes (1953).

I know everybody remembers Marilyn Monroe's signature performance of "Diamonds Are a Girl's Best Friend," but personally, give me Jane Russell.