Yes, yes, I've been busy lately—Auburn football, Spring cleaning, walking the dog, a never-ending construction project. And I've fobbed off a lot of old movies on you and called it blogging. Fortunately, I know you've been eating these movies up with a spoon—you have been eating them with a spoon, haven't you?—here's another one to tide you over: D.W. Griffith's first feature film, 1914's Judith of Bethulia. It doesn't have the epic scope of The Birth of a Nation, but then neither does it feature the Ku Klux Klan as the hero of the story.
More to the point, Judith, along with The Musketeers of Pig Alley, The Lonely Villa, The Lonedale Operator, The Battle at Elderbush Gulch, and many others, undercuts the notion that Griffith invented movies with The Birth of a Nation. The invention of a film language was a steady evolution, not a one-picture revolution; indeed, I would say The Birth of a Nation didn't invent anything except a long-overdue recognition on the part of audiences and critics that movies were an art form unto themselves.
But more about that later.
In the meantime, Judith of Bethulia.
Spoon!
For a longer discussion of Judith of Bethulia, click here.
I don't know those movies. I do remember a movie I saw once that blew me away it was about Russia and Catherine the great, I think either Garbo or Dietrich was entering the Palace and going up the stairs on horseback. I know you know old movies, this was old with subtitles maybe russian??The movie sets were black and white and awesome.
I'll bet you're talking about The Scarlet Empress with Marlene Dietrich as Catherine the Great. It was one of the great pictures of 1934 and assuming I get back on track, blogging-wise, I should be writing about it this Spring.
So right about Griffith. Birth may be where he pulled it all together, but he was creating a glossary for cinema years before. Love Musketeers of Pig alley!
Named for Katie-Bar-The-Door, the Katies are "alternate Oscars"—who should have been nominated, who should have won—but really they're just an excuse to write a history of the movies from the Silent Era to the present day.
To see a list of nominees and winners by decade, as well as links to my essays about them, click the highlighted links:
Remember: There are no wrong answers, only movies you haven't seen yet.
The Silent Oscars
And don't forget to check out the Silent Oscars—my year-by-year choices for best picture, director and all four acting categories for the pre-Oscar years, 1902-1927.
Look at me—Joe College, with a touch of arthritis. Are my eyes really brown? Uh, no, they're green. Would we have the nerve to dive into the icy water and save a person from drowning? That's a key question. I, of course, can't swim, so I never have to face it. Say, haven't you anything better to do than to keep popping in here early every morning and asking a lot of fool questions?
4 comments:
Chatter didn't start with one game. . . .
word verification? pingl
I don't know those movies. I do remember a movie I saw once that blew me away it was about Russia and Catherine the great, I think either Garbo or Dietrich was
entering the Palace and going up the stairs on horseback. I know you know old movies, this was old with subtitles maybe russian??The movie sets were black and white and awesome.
I'll bet you're talking about The Scarlet Empress with Marlene Dietrich as Catherine the Great. It was one of the great pictures of 1934 and assuming I get back on track, blogging-wise, I should be writing about it this Spring.
Or in 2014, whichever comes first.
So right about Griffith. Birth may be where he pulled it all together, but he was creating a glossary for cinema years before. Love Musketeers of Pig alley!
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